Matt Postiff's Blog

Back in 2004, Pastor Charles Mason filled the pulpit at Fellowship Bible Church for a couple of months. During that time he shared with us a song that he wrote which was entitled The River of God. An ensemble sang it this morning. Here are the words, with a link to the audio below.

There's a river, says the Psalmist,
Prophets saw it deep and broad,
Flowing ever outward, ever springing
From the throne of God,
Coming from the well of Joseph,
Making fruitful branches crawl,
Ever upward, ever outward,
Casting fruit beyond the wall,

(Refrain) Oh the Spirit and the Bride say come!
And everyone that thirsteth now may come!
Without money, without price,
drink the sweet water of life,
So come without delay,
my friend, please come!

Strangers taste it sweet as honey,
Others say it tastes like gall,
Come and buy it without money,
Whoso on the Lord shall call.
River flowing, trees there growing
All along the blessed stream,
Showing forth the gospel story,
Record of the eternal scheme.

Let us then be channels yielded,
To the Lord of harvest great,
Let the river flow unhindered,
Souls will meet us at the gate.
Crowns of joy will they be to us,
Souls who from the Living Well,
Drank so deeply and now safely
Gathered home their story tell.

Could we ever be more useful,
Could there ever be for man,
A greater, nobler calling
Than our God's eternal plan?
Oh the Spirit and the Bridge say come!
And he that hath no money, yes may come!
Take Jesus as your Savior,
and you'll never thirst again,
so come without delay my friend, please come!

You can listen here: RiverOfGodCharlesMasonFellowshipBibleChurch.mp3.

You can download the PDF here: River of God Eb Major Hymn Style.pdf.

Pastor Mason is very ill right now in comfort care in his home state of Maine. Please pray for him and his wife Gloria.

Update 4/28/2024 evening: We learned that Pastor Mason went to heaven the evening before I published this article.

A couple of weeks back, I asked the congregation if anyone would like to search our hymnal to find as many "Triune" hymns as they could find. That is, hymns that refer to all three members of the Trinity. This was timely because we have been going through a series on Sunday evenings on the Christian teaching of the Trinity. One of our members came up with this list (page number in Rejoice Hymns):

• I will Praise Him (5)
• Father, I Adore You (repetitive, 6)
• Come Thou, Almighty King (9)
• Doxology (14)
• Glorify Thy Name (repetitive, 16)
• Holy God, we Praise Thy Name (37)
• Be Thou Exalted (57)
• Praise Ye the Triune God (66)
• God is Holy (83)
• Holy, Holy, Holy (85)
• Holy is the Lord (89)
• Saved by the Blood (375)
• Eternal Father, Strong to Save (518)
• Glory Be to the Father (572, 573)
• The Church's One Foundation (575)

Enjoy these hymns as you praise our great God!

Last night, part of my message dealt with repetition in Christian hymns and songs. This was not a message that just bashes "7-11 songs" for having too much repetition. It is instead the result of a brief "scientific" study I did over the last few weeks that carefully measures the repetition in songs and uses a computer program to assist in that song analysis.

I am concerned about excessive repetition in Christian songs. Some repetition can be helpful, and some is found in Scripture. See Psalm 136 for an example of fairly heavy repetition. The Proverbs and Psalms use poetic synonymous parallelism. Because this is not exact verbal repetition, I do not count it as pure "repetition." But there is a point at which verbal repetition becomes bad (sinful). See Acts 19:34 for a pagan example of repeated chanting. Our Lord warns us against using repeated words to get God to hear our prayers (Matthew 6:7).

I took some examples in our traditional hymnal as well as among some contemporary songs and ranked them according to their repetitiveness. One example I found was the hymn "Worthy is the Lamb" in the Living Hymns hymnal. Once all the repeated lines are eliminated, only 29% of the song remains. I call this percentage the "meaning density" of the song. Meaning density is a measure of how many words in the song express unique meaning. If when you sing a song you utter 100 words, but these words consist of 10 repeated phrases of 10 words each, then you are singing with about 10% meaning. Of course some repetition can be well done and sung to a different melody and manner, but after awhile, all the variations boil down to the same meaning. A song with such low density is what I would call "fluff."

There are three general groupings of hymns and contemporary songs. The first has a meaning density around 35% or less. The second group consists of songs that have a percentage of around 50-75%. The third group is above 75%, and many of the ones I studied have 100% density. That means that they have no repeated phrases in them. Songs like "Amazing Grace" and "His Robes for Mine" rank the highest according to the repetition calculation.

The analysis revealed that certain songs are extremely repetitious. The song I mentioned above, "Worthy is the Lamb" is under 30%. "Jesus Saves" devotes 30% of all the words sung to that two-word phrase. "My Sins are Blotted Out" dedicates 60% of the song to that phrase from the title. "Why Should He Love Me So?" has 50% of the song in those words. The phrase "I Can Only Imagine" takes up 26% of the song by that name; this particular song has an overall meaning density of 35%. The Hallelujah Chorus has a meaning density even less--near 20%! I noted that almost all of the CCM genre songs that I studied fell under the 50% mark in terms of repetition.

Heavy repetition within a song is not necessary or helpful, particularly when you consider that a good song that "gets into your head" will be repeated quite a bit by your thinking of and singing the words over and over.

After this study, I am more resolved than before to select hymns that are not under about 50% of repetition. Are those songs always wrong to use? I don't think so. But as part of the regular worship diet of a church, they are not appropriate.

A lot of objective work could be done in this area (research assistants, please?). Many more songs could be run through my program; the program could be improved; and more characteristics of songs could be distilled. Even more important would be to look at other important aspects of hymn analysis, such as music style, focus on God or man, theological truths or errors contained in the song, the originating theological system, and the quality of the words and music in terms of their majesty and worthiness of our great God.

The script I mentioned is available here and the Powerpoint is available here. To run the program, you will need a Perl interpreter like Strawberry Perl or Perl in the Cygwin package. For a bit more detail, listen to my message here.